Anna  Tancredi

Lives and works in Roma.

First with pastel and then with oil
 she realizes Still Lifes and Nudes paying particular
 attention to chromatic results.

She loves to draw one's inspiration from
 the Novecentisti to create silent atmospheres
 with a recall to the Metaphysical.

The Verismo is for her an important base study
 to learn well reading the reality
 and then to upset it in case of need.

Her artistic training looks at the attendance of  Ninni Verga's studio, in turn pupil of Toti Scialoja, of the Free School of Nude with the prof.  Avanessian  in the Fine Arts Academy of Roma, of the Ornamental Arts School of Roma's Commune under the direction of the artist prof. Arcangeli and of the Ancient Technique's course in the Zabaglia School of Roma.

At the end of this journey, 
turned especially to the improvement of the Oil Technique, her interest pauses on the Trecento's Art.

Artists like Giotto, Lorenzetti and Simone Martini became an attraction pole.
 It begins a walk made of studies and investigations that will take her to realize works executed with the Techniques of the Trecento's great Masters: egg tempera and gold leaf's applications.

With Egg Technique she realizes a work under commission of the Anacapri's San Michele Museum. 
The work represents the church like it seemed to be around the first years of 1800: immersed in the green and with the blue sea of Capri as background.