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Davey Murrell |
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I could judge him only for the two guitar pieces contained in the compilation "Guitar Workshop" (Transatlantic records). He is the most upsetting guitarist I've ever heard: can You imagine Kottke+Fahey+Jansch+Renbourn playing all together?That's he!!!. Whoever have got informations about him, please contact me! |
| Marcel Dadi |
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It's like a child (yes, that's me!) speaking about his father. Marcel has been (and still he IS) one of the greatest fingerstylist in the world. He is a great virtuoso with his instrument and also with all the people who have had the pleasure to know him. He contributed more than any other to the divulgation of fingerstyle |
| Ton Van Berjeyk |
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He's one of my preferred arrangers and players:
good taste, great technical wizardy, very beautiful repertoire. |
| Guy Van Duser |
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I would give my left hand to play like him (I try it, eh!). He is without any doubt the GREATEST GUITAR PLAYER IN THE WORLD!!. Buy all his records, study them paying extreme attention and make a treasure of every note they contain.
Into the downloads section You'll find lots of transcriptions made by the undersigned, concerning the most intriguing pieces of his repertoire. |
| David Qualey |
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If You want to hear the best guitar music composer in the world, here he is! Shivers and emotion guaranteed! |
| Rick Ruskin |
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Unbelievable class, monstrous technique, clean and and soft touch, he's one of my principal references. Go and search all his records, study them with abnegation , to vastly improve Your guitar skills. |
| John Renbourn |
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A 6 strings myth: folk, blues, jazz, sitar, ragtime and celtic harp, all melted in a unic and inimitable style which made the history of the instrument. |
| Leo kottke |
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6 & 12 strings guitar has been my first impact with fingerpicking guitar.Leo has been my guitar guru and I owe him eternal thankfulness. Mythical! |
| Eric Schoenberg |
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Together with Van Berjeyk he is the best ragtime arranger and player. Eric has a very clean and plushy touch which make him distinguishable from any other player. |
| Mark O'Connor |
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Prodigious flatpicker , he is a real guitar monster; I've never been able to understand how the hell he could do the things he does. |
| Norman Blake |
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Extremely cultured and elegant flatpicker, great repertoire always played with class. |
| Tony Rice |
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One of the first flatpickers to try ta real quality jump (from tradition). He also is one of the fews which have reached this goal without falling in a sterile virtuosity. |
